10 Netflix finance leaders
Netflix finance here splits along the business: content, production and studio finance on one side, product, ads and games FP&A and revenue controllership on the other, with the EMEA CFO, the Treasurer and the investor relations vice president in between. Nine hold current Netflix roles and Andrea Spinelli is the former LATAM finance director, which helps if you are planning content budgets, pricing a production or modeling subscription and ad revenue.
Professionals to explore
Andrea Spinelli
LinkedInExperience: Former Regional Finance Director, LATAM · Netflix
Latin America finance is the common thread for Andrea Spinelli, Regional Finance Director, LATAM at Netflix (2019-2021) and then CFO at Movile (2021-2024); Spinelli has been retired since 2026. Earlier roles were Finance Director, LATAM (2018-2019) and Sr Finance Manager, LATAM (2013-2018) at Facebook, a fit for questions on regional finance in Latin America.
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Chip Holloway
LinkedInExperience: Vice President and Global Head of Production Finance · Netflix
Production finance is Chip Holloway's lane: Vice President and Global Head of Production Finance at Netflix since 2021 and Vice President Finance and Strategy since 2023. Other Netflix titles were Vice President Studio Finance Latin America (LATAM) (2022-2023), Vice President Studio Finance Asia Pacific (APAC) (2022) and Vice President - Original Film and APAC Production Finance (2020-2021), a fit for questions on production budgets across regions.
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Federico Mossa
LinkedInExperience: Vice President, Content Finance & Strategy · Netflix
Federico Mossa has been Vice President, Content Finance & Strategy at Netflix since 2017, leading the global Content Finance & Strategy team with about 45 direct and indirect reports. They were an MBA Summer Intern in Content Finance & Strategy at Netflix (2016), Director, Business Development & Analytics at Universal Music Group (2009-2015) and an Analyst in Morgan Stanley's Investment Banking Division (2008-2009), and are the person to ask about valuing content.
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Gregory Belzer
LinkedInExperience: Treasurer · Netflix
Gregory Belzer has been Treasurer at Netflix since 2023 and was Vice President and Assistant Treasurer at The Walt Disney Company (1998-2023). They describe skills in corporate finance, financial risk management, capital markets, valuation and global cash management and investments, a fit for questions on treasury, financing and cash management.
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Jo Padilla
LinkedInExperience: Director, Corporate Strategy and Financial Planning · Netflix
Director, Corporate Strategy and Financial Planning at Netflix since 2019, Jo Padilla was Head of Product Finance (Facebook App) at Facebook (2017-2019), Finance Manager, Marketing (2015-2017) and Finance Associate, Server & Storage Infrastructure (2013-2015) there, and Senior Auditor at Deloitte (2010-2013). In their own words, they have 15+ years of experience in FP&A, strategy and accounting, useful for corporate planning questions.
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Kate Norton
LinkedInExperience: VP, Business Strategy & Finance · Netflix
Two Netflix vice president titles belong to Kate Norton: VP, Business Strategy & Finance since 2025 and VP Product & Commerce Strategy & Finance (2024-2025). Other roles were Senior Vice President, Business Operations at Workday (2022-2024) and Managing Director and Partner at Boston Consulting Group (BCG) (2022), a fit for questions where business strategy and product finance meet.
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Pablo Perez De Rosso
LinkedInExperience: Vice President - EMEA CFO · Netflix
Pablo Perez De Rosso has been Vice President - EMEA CFO at Netflix since 2025, leading Strategy, FP&A, Controllership, Tax, Production Finance and Workplace Operations for Europe, Middle East & Africa. Other Netflix titles were Vice President - Head of Strategy, Planning & Analysis, Production Finance and Customer Service (2021-2025), Vice President - Content Studio Strategy, Planning & Analysis (2017-2021) and Director - Content Strategy & Analysis (2012-2017), so Pablo Perez De Rosso can speak to regional finance and content planning.
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Ross Smith
LinkedInExperience: Senior Director, Revenue Controller · Netflix
Revenue recognition questions match Ross Smith, Senior Director, Revenue Controller at Netflix since 2023, covering Subscription, Advertising, Partnerships, and Consumer Product/Experiences Revenue. Smith's other titles are also at Netflix: Director, Revenue Controller (2022-2023), Director of Revenue and Partnerships Accounting (2019-2022), Senior Manager, Global Revenue and Partnerships Accounting (2018-2019) and Manager, Global Revenue and Partnerships Accounting (2017-2018).
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Spencer Wang
LinkedInExperience: Vice President, IR and Corporate Development & Strategic Planning and Analysis · Netflix
As Vice President, IR and Corporate Development & Strategic Planning and Analysis at Netflix since 2015, Spencer Wang leads several teams, including Finance/Investor Relations, which leads Netflix's relationship with the investment community and assists in capital structure optimization and capital raising. Spencer Wang was Managing Director Head of U.S. Media & Internet Equity Research at Credit Suisse (2008-2012) and Senior Managing Director at Bear Stearns (2006-2008).
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Tim Anderson
LinkedInExperience: Vice President, Product & Technology, Ads & Games Financial Planning & Analysis · Netflix
Planning for ads, games and product spend suits Tim Anderson, Vice President, Product & Technology, Ads & Games Financial Planning & Analysis at Netflix since 2018. Other roles include Consultant at Creative Artists Agency (2017-2018), VP, Corporate Finance & Real Estate at AECOM (2013-2017) and Vice President, Studio Finance at Sony Pictures Entertainment (2011-2013).
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Choose the right perspective
For content and production spend, Federico Mossa and Chip Holloway are the closest fits, with Pablo Perez De Rosso for the EMEA view. Product, ads and games planning sits with Tim Anderson and Kate Norton, revenue accounting with Ross Smith, and capital or investor questions with Gregory Belzer and Spencer Wang. Jo Padilla covers corporate planning, and Andrea Spinelli knows Latin America.
Questions to take into the conversation
- 01How does Netflix's content finance team decide what a title is worth before greenlighting it?
- 02How is production finance organized across regions such as Latin America, Asia Pacific and EMEA?
- 03How do subscription, advertising and partnership revenue get recognized and reported differently?
About this directory
This is a professional research starting point based on business profile data retrieved on . Titles and companies reflect that source snapshot; roles marked former had ended by then. Check the linked profiles for current details. Inclusion does not imply Instant Expert membership or availability.